by Bill White
Maybe they don’t want their
MTV after all.
Viacom, the empire of Jewish media baron Sumner Redstone
and owner, among their properties, of the decadent cable channel MTV, is
collapsing under pressure from millennial “cord-cutters” who find Jewish
television ugly and irrelevant.
The multi-media company, which produces TV shows like CSI, Entourage, and Community, and which owns Nickelodeon, Comedy Central, Spike, MTV,
VHI, CMT, and numerous other media properties, announced that it would lay off
400 employees and write down the value of its assets by $785 million dollars
after viewership of its programs, slipping for years, collapsed in the first
quarter of 2015, and pay-TV providers indicated that they may drop Viacom
channels from cable-TV bundles—groups of channels available to subscribers.
According to Viacom’s latest SEC filing, viewership of Nickelodeon
was down 34%, all in just the first three months of 2015. Also, Viacom reported
that it was having difficulties selling reruns of series like CSI.
The moves by the general public parallel a general move
away from Jewish-owned media across the United States. Sales of CDs and
streaming music by artists produced by Jewish-owned record companies and
circulation numbers at most Jewish newspapers have also collapsed over the past
decade. What is replacing these highly managed media organs is a less-policed
online media. While Jews like Mark Zuckerberg dominate dissemination platforms
like Facebook, the content of inline media has largely escaped management by
the Jewish élite.
For most of the 20th century, Jews owned
essentially all newspapers, news wires, radio stations, music producers, movie
studios, television stations and book publishers in the United States,
and they used their power mentally to control the American population. In 1995,
as the internet exploded in reach, Jews began to worry, and about 2005 Jewish
media companies began to collapse, one industry after another. What has largely
preserved Jewish power has been violent repression of White-owned media and
organizations by the U.S.
federal government and continuing Jewish control of the university system,
particularly the Ivy League from which future federal officials are chosen.
But Viacom is far from dead. Even after a 15% fall in net
income, the company still brought in $429 million new of operations. It said
that layoffs would save it $350 million a year. Its gross revenue last year was
$3.17 billion, and it may gross as much as $2.71 billion this year. Still the
loss of over one third of its audience has hit the Jew Redstone’s pockets;
Viacom shares have lost 19% of their value in the past year.
Sumner Redstone is one of half a dozen Jewish oligarchs who
have controlled the U.S.
media for three decades. Using programs like MTV, Redstone first pushed
acceptance of negro culture and artists into White American popularizing rap
and hip-hop, then turned to pushing homosexuality and the sexualization of
young children onto the United
States. Redstone and fellow Jews like Edgar
Bronfman, owner of Seagram’s gin and a major publisher of rap music, made in “uncoil”
to be White and used their cultural dominance to poison White American souls.
The question is how the Jews will cope with a post-Zionist
media. So far, censorship on Jewish-owned platforms, control of finance
capital, and government repression have stifled much online White media. But
nationally supported alternatives like RT and al-Jazeera, both of which have
cable markets, have proved resistance to American and Jewish censorship. While
independent White Americas have been arrested and silenced, the U.S. cannot
arrest media organizations controlled by foreign states.
These cracks in Zionist censorship have led to protests in
politically influential Jewish-owned media, but no ready solution has been
offered. Meanwhile, the Jews have looked on in dismay while American consumers,
presented for the first time in a century with options, have dumped
While the Jews have always promoted themselves as naturally
the world’s greatest entertainers, their dominance in the media was always the
result of money manipulations by Jewish usurers, who control the world’s banks
and drain the world’s wealth through interest and debt-slavery.
Now, the youth of American in particular are making
themselves clear—they don’t want Zionist MTV.